“Its ability to encompass quite wide dynamics while resolving, during forte and stronger passages, the quieter and more nuanced small dynamics from other instruments, is unsurpassed in my experience. Combine the dynamics and the clarity and accuracy of its reproduction of fast (and slow) transients, and you reach what I believe to be a new level of realism in home playback.”


Harry Pearson; Editor, The Absolute Sound, 2000
[click here for full article]

The Mark II.2 versions of Ralph Karsten's amplifiers are superb, giving up next to nothing to the Lamm ML 2s in sound-staging, transparency, timbres, and dynamics, and only a smidgeon in inner detail, neutrality, and sheer presence. Indeed, compared to anything but the Lamms, the MA-2 Mk II.2s are the best tube amplifiers I've heard by a considerable margin. At 220 watts per side, they will handle just about anything (and are a marvellous combination with the Soundlab M-1s, the Maggie 20Rs, and the PipeDreams themselves.)

Jonathan Valin; The Absolute Sound 2000 Golden Ear Award
[click here for full article]

The MA-2, simply put, is the finest amplifier made anywhere in the world at any price. The MA-2 is now updated to the rev.3 level with an improved gain stage with even wider bandwidth and lower distortion then before. Switchable feedback has been added as well. The MA-2 Mk. II.3 is the most powerful production OTL amplifier available, with vastly enhanced ability to drive difficult loads.

The improvement the MA-2 offers is total. The amplifier is faster then transistor designs, yet involving. It has bass impact other tube amps lack, plumbing the low frequencies that other amps seem unaware of. Yet it is smooth, detailed and tuneful, allowing the listener the ability to play the amplifier day in, day out without noticeable artifact. The improvement the MA-2 offers is obvious on any system - it is not subtle.

Designed for music, not sine waves, the MA-2 MkII.3 tracks a dynamic waveform faster than any other amplifier known in the world. It extracts more detail than designs that use transformers, transistors and single-ended (asymmetrical) circuits: music is presented intact.

Further reading...

Golden Ear Award 2000
The Absolute Sound

·  All triode
·  Class-A operation
·  Output TransformerLess (OTL) operation
·  Balanced Differential Design®
·  Switchable input impedance
·  Defeatable negative feedback
·  Handcrafted point to point wired- no circuit boards!
·  Mono construction
·  Easily mono-strapped for more power
·  Standby switch for long output tube life
·  Easy to live with - tube matching not required
·  Simple, reliable circuit - one stage of gain
·  XLR and RCA input connectors
·  Precision grade components used throughout
·  Patented Circlotronic® output circuit
·  Dual AC power circuits for each chassis
·  Custom Teflon coupling capacitors
·  Custom Teflon® coupling caps
·  Caddock precision resistors standard
·  "Star" ground circuit
·  Patented black Wrinkletex epoxy coat finish
·  Five-year warranty - One year on tubes

·  220 watts/channel into 4, 8 or 16 ohm load
·  Power bandwidth: 2 Hz - 85 kHz within 1/2 db (open loop)
·  Frequency response (1 watt, open loop): lHz - 100kHz within 3dB
·  IM Distortion: less then .05% at full power
·  THD:less then 1%
·  Square Wave Tilt: unmeasureable
·  Feedback:0-2 db switchable
·  Phase shift: less than 1 degree @ 20 kHz
·  Power supply storage: 1100 Joules/chassis
·  Output section risetime: 600 V/micro-second
·  Output Impedance: ~1.75 Ohms (open loop)
·  Power consumption: 800 watts/chassis
·  Tube complement: 20 6AS7 output tubes and 6 6SN7 driver tubes.
·  Weight: 103 lbs./chassis
·  Dimensions 28" l x 17" w x 10" h